The filmmaker's grandfather recounts fleeing German-occupied Kyiv just before the massacres at Babyn Yar, while his father tells of his return to Kyiv for the first time since emigrating to the US. In the backdrop, the Soviet translation of The Adventures of Huckleberry Finn is woven through images of the Mississippi River today. The film jumps through time, but the rhythm of an accordion keeps the pace. 　　源自：https://iffr.com/en/iffr/2023/films/skin-in-the-crosswinds

The filmmaker's grandfather recounts fleeing German-occupied Kyiv just before the massacres at Babyn Yar, while his father tells of his return to Kyiv for the first time since emigrating to the US. In the backdrop, the Soviet translation of The Adventures of Huckleberry Finn is woven through images of the Mississippi River today. The film jumps through time, but the rhythm of an accordion keeps the pace. 　　源自：https://iffr.com/en/iffr/2023/films/skin-in-the-crosswinds

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

当天分手，他和她各行各路。十四个寒暑之后，大家已忘了离别的过程。记忆，是如此不可靠；遗忘，保护了要守卫的心灵价值，但也为重塑和修补创造了条件。从旧侣的真实访问开始，彼此错摸的思絮掀动了层层叠叠的图像，记忆之浪随而翻起，同时催生下一波图像。冰湖、船坞、森林、美术馆⋯⋯地域此去彼来，留下的足迹掺杂矛盾的线索。翻开无言的诗篇，乃觉你中有我，我中有你。遗忘并非记忆的对立，而是相反，没有遗忘的记忆，遗忘只是记忆其中一种方式。

当天分手，他和她各行各路。十四个寒暑之后，大家已忘了离别的过程。记忆，是如此不可靠；遗忘，保护了要守卫的心灵价值，但也为重塑和修补创造了条件。从旧侣的真实访问开始，彼此错摸的思絮掀动了层层叠叠的图像，记忆之浪随而翻起，同时催生下一波图像。冰湖、船坞、森林、美术馆⋯⋯地域此去彼来，留下的足迹掺杂矛盾的线索。翻开无言的诗篇，乃觉你中有我，我中有你。遗忘并非记忆的对立，而是相反，没有遗忘的记忆，遗忘只是记忆其中一种方式。

这是一个布加勒斯特历史，他看到灯型的极权主义的架构，我们在那些谁知道，权力是在建筑方面表示期待。 Ceausescu Nicolae a distrus Romania.尼古拉齐奥塞斯库的罗马尼亚销毁。 In locul vechilor orase, a memoriei incastrate in zidurile monumentale, arhitectura de tip stalinist, de inspiratie Nord Coreeana, a erupt ca o plaga amenintand sa umileasca tot si sa demonstreze Puterea regimului.而不是在斯大林的纪念性建筑灵感的墙壁嵌入式记忆体的旧城镇，爆发像瘟疫的威胁侮辱和展示所有电源系统。

这是一个布加勒斯特历史，他看到灯型的极权主义的架构，我们在那些谁知道，权力是在建筑方面表示期待。 Ceausescu Nicolae a distrus Romania.尼古拉齐奥塞斯库的罗马尼亚销毁。 In locul vechilor orase, a memoriei incastrate in zidurile monumentale, arhitectura de tip stalinist, de inspiratie Nord Coreeana, a erupt ca o plaga amenintand sa umileasca tot si sa demonstreze Puterea regimului.而不是在斯大林的纪念性建筑灵感的墙壁嵌入式记忆体的旧城镇，爆发像瘟疫的威胁侮辱和展示所有电源系统。

Landscape Drifting is a work by directors Hwang Da-eun and Park Hong-yeol, who vividly captured the struggles of the Seongmisan village community in The Teachers: Pink, Nature Trail, Ridge Between Rice Paddies, Plum (2023). This film marks another path for the directors as it documents the period of the COVID-19 pandemic. During the time of social distancing, the two directors and painter Park Se-jin held a modest exhibition with strictly limited visitors attending. Their small but well-lit studio became the exhibition hall, and two cameras placed in the corners of the space became the eyes of the directors, capturing the exhibition’s scenery. The film shows, with a slow and deliberate pace, the fluid movements of visitors, objects swaying in the wind, and the sunlight streaming through windows to create a dance of light on the paintings. It sensitively evokes the landscape of the time we experienced and becomes a passage of memory that should not be forgotten.

——充满风情的爱知县江南市。 　　与父亲和母亲一起接受街上人们的委托，作为便利店工作的蜂须贺昴。 　　帮助大扫除和搬家，教孩子踢足球……这是一个什么困难都能解决的值得信赖的街道。